Here you will find what Industry media outlets are saying about the Voyage Air – a real guitar that folds in half!

February 14, 2012, Congress passed a Federal Aviation Administration re-authorization bill that includes new standards for storing instruments on planes. Pending issuance of final regulations, the amended law will let travelers carry any instrument or related gear onto an airplane that can be safely stored in the cabin, rather than risk it being damaged in the plane’s cargo hold or during baggage handling.

Included as an amendment to section 403 (“Musical Instruments”) of the FAA Modernization and Reform Act of 2012 (H.R. 658), the bill provides airport personnel with specific guidelines for carry-on instruments, including when musicians may purchase a separate seat for an oversized or fragile instrument, as well as weight and size limits for storing a larger instrument in a plane’s cargo area.

Also, guitar-sized or smaller instruments will be allowed on-board at no extra charge as long as they can be safely stowed in a baggage compartment or under the passenger’s seat. Instruments that are too large to be safely stored overhead or under a seat but don’t weigh more than 165 pounds may still be carried on-board. However, the owner will have to purchase a separate seat in order to accommodate the instrument. Owners who want to transport larger instruments as checked baggage will be allowed to do so, assuming the instrument weighs 165 pounds or less and the circumference of the instrument doesn’t exceed 150 inches.

Click here to download the actual amendment pages.

Need more? Click here to read about Ned Robbins, Airline Pilot and Voyage-Air Owner.

Review: Voyage Air Guitar VAOM-2C
Sara Simms on Sep 29, 2014

Traveling on trains or planes can be hard for guitarists. The idea of bending a guitar to fit a luggage space may seem absurd. But Pic 6 does just that. But does it play well too?


I’ve been intrigued with the Voyage Air Guitars since I first saw them at NAMM. The entire line is an amazing concept; Voyage Air Guitars feature a collapsable neck that allows the guitar fold and be carried in a portable case for travel. This is a highly desirable feature for songwriters and guitarists, as it gives players the ability to easily take their guitars with them on the road. Voyage Air Guitar has proved that good things can be made to fit into smaller packages.


The Future is Unfolding

The VAOM-2C comes in a durable, back-style case. When I first received it, I admit I was a little surprised to think that a guitar could fit inside a case this small! The neck of the guitar is hinged, and you have to lift the neck up and away from the guitar to unfold it, and lift it gently out of the case. The neck of the guitar needs to continue to be gently bent back as the guitar’s soundhole faces down. Once the neck is aligned horizontally with the body of the guitar, there is a small hinge that must be tighten to seal the parts together.


As a first time user, I had to loosen the strings considerably as I positioned the neck into place, and was a little concerned that the strings might snap as I tightened the hinge. I’m happy to report that they didn’t; the procedure was a success. I did have to spend a few extra minutes tuning up after the guitar was put together. It will likely take a few more attempts at folding/unfolding the guitar before I’m completely comfortable with this process; its’ still such a futuristic concept to fold a guitar together!


Body and Design

I was lucky enough to be able to try out the  VAOM-2C model, which is the top of the line model that Voyage Air Guitar produces. The guitar features a gorgeous cutaway design, with solid east-indian rosewood on the back and sides, solid sitka spruce for the top and solid mahogany for the neck and a solid rosewood fretboard. The guitar is beautiful, and sounds every bit as good as it looks. The rosewood on the back and sides give the VAOM-2C a deep tone, and the spruce on top gives the guitar’s harmonics extra character. The rosewood body gives this special guitar a tone that’s uniquely its own; its gorgeous tone surpassed my expectations for an instrument that can be so easily folded up!

The guitar features an abalone rosette (for those who don’t know what this is, this is the inlay around the sound hole of the guitar.) The rosette is a real focal point, and also helps to protect the soundhole’s edges.


Neck

The VAOM-2C features a beautiful mahogany neck, and a rosewood fingerboard. I’ve always preferred to play on guitars with rosewood fingerboards, as I feel that they add a warmth to the sound and increase the overall ease of playability. The neck is marked with green abalone position markers that begin at the third fret. The fretboard is 1-3/4” wide, a good size for most guitarists. The craftsmanship and attention to detail make this guitar a joy to play.


Head

The head of the guitar has a slightly curved shape, and is equipped with high-quality gold plated tuners with ebonized buttons. The gold plated tuners really do add a nice finishing touch to the guitar, and make it even more attractive.


Bridge

The VAOM-2C comes strung with D’Addario 12-54 Phosphor Bronze strings, which are held in place by the rosewood bridge. The strings are spaced with 2 3/16” at the bridge, which feels fairly comfortable. Close by the bridge is a dark brown tortoise-style pick guard, which protects the guitar’s finish. Like all of the other components on this guitar, the bridge is well-made; it holds the strings in place even after multiple rounds of folding and unfolding.


Finishing Touches

Voyage Air Guitar has added in a few finishing touches that really make this guitar a special treat to play (and admire, while it’s not in use). The body is encircled with a grained ivoroid body binding, and the backside of the guitar features a center-stripe with a decorative pattern. These features are secondary to the 2-ring soundhole rosette with the abalone center ring, which to me is one of the main focal points of the guitar, next to the cute cutaway shape.


On the Road

One of the many good things about this guitar is the fact that it comes with its own portable carrying case, which is a different shape than any other guitar case you’ve ever seen before. The case is small, and is just a bit larger than an overnight bag. The case is certainly easier to travel with than standard large guitar cases, which have always been challenging to cart around on the road.

I’m still somewhat mystified that the guitar manages to fold up so easily and fit inside!

The guitar has to be collapsed before it can fit into the well-padded carrying case. To keep the neck safe from hitting the body of the guitar during travel, it includes a soft strap that holds the body in place.


Innovative Design

The folding neck really does make this guitar a remarkable invention, which will make it an attractive instrument for forward-thinking guitarists. While some players may be skeptical and think that a folding guitar doesn’t live up to the standards of traditional guitars, the overall quality of the VAOM-2C is impressive. Simply put, it’s a well-made, high quality instrument that sounds, looks and feels great to play.

Both professional players and hobbyists will benefit from Voyage Air Guitar’s unique neck hinge.  Pros will enjoy the fact that they can reduce the amount of bulky baggage they take to their gigs, and a hobbyist player will enjoy the ease of taking the small carrying case up to the cottage for fire-side summer jam sessions. The VAOM-2C combines together great craftsmanship with Voyage Air Guitar’s innovative folding neck; overall this guitar is pretty stunning. It’s worth seeking this guitar out to try for yourself, as it’s an amazing innovation.


  • 1 3/4” width at the nut
  • 25.5” Scale length
  • Cutaway design
  • Full-size “OM”

Pros: Rosewood and Spruce wood on the body, and rosewood fretboard, Patented Voyage Air Guitar Patented neck hinge

Quality craftsmanship, *admin note: All instruments are inspected and setup in California

Cons: As this is the top of the line model, it’s a little more expensive than regular acoustic guitars. Sometimes the best things in life can be a little pricey!

Guitarist: Sara Simms, http://sarasimms.com, Instagram: sarasimms

Photography by: Brett Ida – Idamagine Photography, http://www.idamagine.com  Instagram: idamagine

Hair and Makeup by: Roopa Sega – Redcoat Artistry, http://redcoatartistry.wordpress.com  Instagram: redcoatartistry

 

*Editor’s Note: This article is from the weekend section of the Sueddeutsche Zeitung ( Munich ), a very respected daily paper in Germany.

The Folding Guitar

What’s a campfire without a guitar? You are hot in front and cold in back. There are charred potatoes and the burnt smell hangs in the clothing as do burs in woolen socks. And with a guitar? It’s exactly the same thing. Only that you don’t notice those things as much. The guitar magically produces an incomparable atmosphere even when most strummers master only a few chords.

But first a guitar has to get to the camp. It is a bit unwieldy, this instrument, and even though its neck is not exactly made out of glass, when something heavy falls on it, it sometimes can crack. If you carry the instrument in a knapsack, the neck sticks out—taller guitarists have to always think about ducking if they want to slide through somewhere without having an accident.

Enter the Voyage-Air guitar. Even though it is possible to break the body of the guitar with brute force, it’s unlikely to do that to the neck because that is already folded at the place where an ordinary guitars neck is glued to the body. At that point, the Voyage Air Guitar has a very solid, stable neck that is held together with a screw hinge which can be tightened and loosened without a tool.

If you loosen the screw—carefully, please because the instrument is under tension because of the strings—the neck folds away and comes to rest over the sound hole. The strings hang loose without in a disorganized fashion, but because they are fastened below and above, they cannot get tangled. Besides they are too stiff for that to happen. To keep the neck from hitting the wood during transport, the well-padded bag, which is included, contains a sewed-in cushion that secures it.

What is the advantage of such a guitar? The guitar is no longer 1.2m long, but instead together with the bag, a comparably handy package of about 70cm. The instrument the manufacturer offers for $500 – plus shipping costs (the cost of sending a guitar to Germany is substantial)differs from an ordinary guitar only in its hinge, which, by the way, cannot be seen from the outside because it is worked into the wood very precisely, I am happy to say.

For that amount of money, you expect considerable quality, and that is being achieved, not just for the folding mechanism. The strings run pleasingly close to the neck, the sound is good for an instrument of this intermediate price, and—what’s the most surprising—the patented hinge of the folding guitar functions so precisely that you don’t even have to retune all the strings from scratch.

Even if $500 is not a bargain pick-me-up, the quality is alright, and you can hardly get a smaller acoustic guitar if it is supposed to sound like anything. With electric it’s a little different. There you can find a model that fits into a flute case and you can still play it well—only what will you do with it at a camp-fire?

HELMUT MARTIN-JUNG

*Editor’s Note: This article is from the weekend section of the Sueddeutsche Zeitung ( Munich ), a very respected daily paper in Germany.

Tests and Approves Voyage-Air Guitar

Popular Mechanics Magazine is perhaps the best mass-media source for news about mechanical innovations that affect everyday life. Recently, they put the revolutionary Voyage-Air folding guitar to the test, as printed in the September 2013 issue.

“As soon as the deep bass of the full-bodied instrument resonated… I realized the benefit of a full-size travel guitar,” said Popular Mechanics reviewer Rachel Arndt. “It does not lose rich sound to compactness.”

“Popular Mechanics Magazine is very stringent and thorough in their reviews,” said Adrian Bagale, COO of Voyage-Air Guitar. “They had our guitar for months, using it every day and under travel conditions before they selected our product to be featured in the magazine. This is more than an endorsement: it’s an honor.”

All Voyage-Air guitars fold in half and are supplied with a rugged backpack-style case to include zippered pockets that can store a laptop computer and other accessories. All of this fits in the overhead bins of commercial airliners. It’s a great, affordable guitar that can be used as a carry-on! Finally, a quality, great sounding guitar is easy to take anywhere. You can take it along for any of your adventures, i.e., biking/cycling, outdoor festivals, to the beach, camping or hiking… wherever you go for musical inspiration. Kids can even take it on their bicycle to music lessons.

Voyage-Air Guitar manufactures a full range of folding guitars, both acoustic and electric. Quality? Sound? They’ve been played live, on-stage during concerts for bands like Paul McCartney, Jimmy Buffett and Bob Seger.

Acoustic Guitar reviews a a full-size dreadnought with a folding neck for easy storage and travel.

By Jeffrey Pepper Rodgers

The headaches and hazards of traveling with a guitar, especially on ever-more-crowded airplanes, have inspired some clever designs: from really small guitars like the Martin Backpacker, Mini Martin, and Baby Taylor, to small headless solid-body instruments like the Traveler, to frame guitars that disassemble, like the SoloEtte or Yamaha Silent Guitar. Invented by luthier Harvey Leach, Voyage-Air guitars take a different approach: they are full-size guitars that downsize for traveling, thanks to a patented hinged neck that folds over the body. Packed up, a Voyage-Air fits into a soft case that’s ready for stowing in the overhead bin of an airplane (even meeting most airlines’ carry-on size requirements) or back of a car, as well as for carrying along wherever you have the urge to play.

Voyage-Air offers three lines of acoustic guitars: the Transit Series with all laminate woods, a mid-price Songwriter Series with solid tops and laminate backs and sides, and a Premier Series with all solid woods. The company makes dreadnought and OM models in all three lines, plus a short-scale mini-dreadnought in the Transit and Songwriter lines. For this review, I checked out a Songwriter Series VAD-04SN dreadnought and toted it along on some short trips.

Folding Design

The uniqueness of the Voyage-Air is clear right from a glance at its backpack-style Transit bag, which is roughly the size of a dreadnought body with about an inch of foam padding around the sides and includes a compartment on top that accommodates the folded-over neck. Zipping open the bag, I was greeted by the jarring sight of the neck upside down over the body, with the headstock resting on a padded strap over the lower bout, and the slack strings tucked inside the soundhole. The neck, which is cut through the heel just shy of the 14th fret, attaches to the body with a heavy-duty hinge. In one of the Voyage-Air’s many smart design features, the bolt that secures the neck doubles as a strap button.

When I went to reassemble the guitar, I held the body upright and raised the neck toward vertical, feeling the pull of the strings as they came up to tension (since I wasn’t initially muting the strings, they produced a brief and funny approximation of the beginning of the Looney Tunes theme). Not surprisingly, it takes a firm hand to bring the neck with six strings all the way, as flight attendants like to say, to the full upright position. But it’s entirely doable to use one hand to push the neck into place and the other hand to tighten the bolt that holds it there.

The speed with which the neck locked into position, even the first time I tried, was the first pleasant shock. The second, bigger shock was that since the guitar had been folded with the strings in tune, when I unfolded the neck, the Voyage-Air was as close to in tune as I’d expect any guitar to be after being shipped across country. I did need to tweak the strings a bit over the next few minutes, but no more than I normally would with any guitar.

Ready to Play

When the neck is unfolded, the VAD-04SN appears to be a nicely made, conventional dreadnought in the budget-to-middle price range, with a solid spruce top; laminated mahogany back and sides with light, orangey coloring; and a rosewood fingerboard. The ornamentation is simple, with fingerboard dots of staggered sizes, a rosette of three black rings, and a black pickguard with a decorative point near the waist.

At a closer look, some of the guitar’s unusual features become apparent—notably what Voyage-Air calls the “captured” nut. Instead of sitting in slots on top of the nut, the strings pass through holes in the nut and rest on a zero fret; this patented design holds the strings in position even when the neck is folded, making it much quicker and simpler to get the guitar ready to play. The heel of the Voyage-Air is bigger and wider than on a standard guitar because of the hinge hardware, and of course you can see a thin line where the heel is cut about a quarter inch from the body (the split on the fingerboard is nearly invisible when the neck is unfolded). But on the whole, there are few signs that this guitar was designed for travel; from across the room, or to an untrained eye, the Voyage-Air looks like a regular guitar.

And true to its billing, it feels and sounds like a regular guitar, too. My boom-chuck rhythm and bass runs had the projection and punch I expect to hear from a dreadnought. As I tried out some scales, the notes were clear, bright, and balanced from string to string. When playing above the tenth fret I did notice the larger-than-usual heel, but it wasn’t a major impediment; with a small adjustment to my left-hand position I could fluidly play single-note lines above the 12th fret.

The action, too, was comfortably low and buzz-free in first position as well as for barre chords and single-note lines up the neck. The guitar has a truss rod and comes with instructions on how to make adjustments. Voyage-Air’s website suggests that the neck may take time to settle into proper relief after being brought up to tension and acclimating to the temperature and humidity level, but I never found the need to break out the supplied Allen wrench. The guitar’s good factory setup held steady as I folded and unfolded the neck many times.

Hitting the Road

For my first outing, I brought the Voyage-Air to the university class I teach on songwriting. Normally I carry my laptop and books in a backpack and then schlep my heavy hardshell guitar case in one hand. The Voyage-Air’s Transit bag has a fairly roomy compartment with a laptop sleeve, so I thought I’d try to carry everything for class in the one bag: a 15-inch laptop, binder, book, and some stacks of papers along with the guitar. The bag was fairly stuffed and hefty at that point, but I loved walking up the hill to class with both hands free. And even better was unfolding the guitar in front of the wide-eyed students and quickly strumming a chord.

I also brought the Voyage-Air on a weekend road trip, loading up the bag with my laptop, umbrella, and a few sundry items. (The company’s higher-end models come with a different case, the Voyager, which includes a detachable laptop compartment that would be very handy—especially if you had to gate-check the guitar on a commuter plane.) I appreciated how much easier it was to fit the case in the car alongside the suitcases without an ungainly long neck getting in the way, and then it was sweet having an instrument to pick during downtime on my trip.

The best thing about playing the Voyage-Air is that you quickly forget it’s a travel guitar. This isn’t a good approximation of a real guitar; it’s a good guitar, with a tone and feel comparable to well-made instruments in its price range. Since it has a full-size body, the Voyage-Air is obviously not as compact as some travel instruments, but it’s a major improvement over a standard guitar for trekking around with. Anyone who wants to reduce the hassles of traveling with a guitar—without reducing the guitar itself—should check out Voyage-Air’s models.

Editors’ Impressions

Teja Gerken: The Voyage-Air VAD-04SN’s foldable neck is both a surefire conversation starter and a ticket to easy portability. But what’s also impressive is that the guitar is a great dreadnought for a little over $500. It has a nice low-end boom, its tone is balanced up and down the neck, and it has the volume and punch you’d expect from a spruce-and-mahogany dread. The guitar’s craftsmanship and finish is about as good as I’ve seen on a Chinese-made guitar, so whether it’s for a trip around the world or a bus ride to your lesson, the VAD-04SN is worth checking out.

YouTube player

Scott Nygaard: Most travel guitar designs tend to shrink the guitar’s body in some way, which is fine if the playing time on your travels is mostly confined to practicing or unwinding in your hotel room. But if you intend to check out the local bluegrass jam or song circle, and/or are just more comfortable with a dreadnought or jumbo-size instrument, the Voyage-Air VAD-04SN is a great solution. Costing less than most flight cases, the VAD-04SN’s sound is big and balanced and the neck is easy to navigate.

taken from acguitar.com

 

VOYAGE-AIR GUITAR NECK VIBRATION TRANSMISSION

D.P. Hess
Mechanical Engineering
University of South Florida
Tampa, Florida
November 2012


Vibration tests are performed to assess the transmission of vibration from the bridge to the headstock for a Voyage-Air VAOM-04 guitar shown in Figure 1. This guitar features a unique hinged-neck for convenient transportation. Vibration measurements are taken with the guitar neck extended and secured following manufacturer specifications.

Figure 1 Voyage-Air VAOM-04 guitar


The test set-up is shown in Figures 2 and 3. The guitar is placed on a pad with the neck supported on foam between the nut and ninth fret to level the instrument horizontally. The strings are damped with foam at the seventh fret.

Figure 2 Test set-up

Figure 3 Angle view of test set-up


A small piezoelectric impact hammer is used to apply an impact force to the center of the flat on the bass or left side of the bridge as shown in Figures 4 and 5.

Figure 4 Impact hammer and top plate accelerometer

Figure 5 Impact hammer and top plate accelerometer closeup


Two miniature accelerometers attached with wax are used to measure the vibration response from the impact hammer. One is attached 1 cm in front of the bridge at the sixth string as shown in Figures 4 and 5. The other one is attached between the third and fourth string tuning pegs on front of the headstock as shown in Figures 6 and 7.

Figure 6 Headstock accelerometer

Figure 7 Top view of headstock accelerometer


A dynamic signal analyzer is used to record the force input and acceleration responses as well as to calculate the frequency responses for each acceleration response and the force input. The frequency response data is presented in Figure 8. The blue curve is the frequency response of the top plate acceleration and hammer force input. The green curve is the frequency response of the headstock acceleration and hammer force input.

The top plate frequency response (blue curve) clearly reveals the two dominant low frequency modes with peaks at 105 and 203.5 Hz as well as the Helmholtz resonance at the valley at 132.5 Hz. The magnitude of the top plate response is higher than the headstock response over most of the frequency range shown. The difference between these response magnitudes provides an indication of the amount of vibration (between 70 and 270 Hz) transmitted to the headstock compared to the top plate.

Figure 8 Frequency response data from the Voyage-Air VAOM-04 hinged neck guitar


Two common designs used today to attach the neck to the body of an acoustic guitar are the dovetail joint design and the bolt-on design. Frequency response data has been collected from guitars with both designs. Sample data are shown in Figures 9 and 10.

The frequency response data in Figures 8, 9 and 10 show some similarities common to acoustic guitars, namely, two dominant low-frequency modes identified by the peaks in the top plate frequency response curves.

The difference between the top plate and headstock frequency responses is comparable for the hinged, dovetail and bolt-on designs. This data suggests the Voyage-Air hinge neck design transmits low-frequency vibration at least as well as the sample dovetail and bolt-on neck designs.

Figure 9 Frequency response data from a 000 size guitar with a dovetail joint neck


Figure 10 Frequency response data from a dreadnaught guitar with a bolt-on neck


VOYAGE-AIR GUITAR NECK VIBRATION TRANSMISSION

D.P. Hess
Mechanical Engineering
University of South Florida
Tampa, Florida
November 2012